University of Central England in Birmingham

In the Scottish universities, an Enlightenment in philosophy, which George III dubbed "the Scotch Metaphysics", continued unabated from the eighteenth and throughout the nineteenth century. This book brings out how different the way of doing philosophy in Scotland was during this period by comparison with how it was pursued in England. In Scotland, as on the continent of Europe, philosophy was a central subject in the universities, whereas in England, except for a perfunctory application in faculties of divinity, it flourished only outside the walls of the academy. Focusing on the works of Thomas Reid, Dugald Stewart, Sir William Hamilton, Thomas Brown and James Frederick Ferrier, The Scotch Metaphysics offers a definitive account of an important philosophical movement and represents a ground-breaking contribution to scholarship in the area. It will be essential reading for philosophers and anyone interested in the history of philosophical thought.

Exploring the intersection of ideas about woman, subjectivity, and literary authority, Impressionist Subjects reveals the female subject as crucial in framing contradictions central to modernism, particularly the tension between modernism's claim to timeless art and its critique of historical conditions. Against the backdrop of the New Woman movement of the 1890s, Tamar Katz establishes literary impressionism as integral to modernist form and to the modernist project of investigating the nature and function of subjectivity. Focusing on a duality common to impressionism and contemporary ideas of feminine subjectivity, Katz shows how the New Woman reconciled the paradox of a subject at once immersed in the world and securely enclosed in a mysterious interiority. Katz reads Walter Pater's aestheticism in the context of Victorian domestic ideology, a world split between safe interiors and risky exteriors. She uses some of the central debates of the 1890s on women's knowledge and interiority to illuminate fiction by George Egerton, Sarah Grand, and Henry James. She looks at how Lord Jim and The Good Soldier project a universalized masculine narrator against a vision of female subjectivity that is too close for comfort. She also considers Dorothy Richardson's Pilgrimage and Virginia Woolf's Mrs. Dalloway and The Waves as impressionist experiments that explore the complexity of the connection between modernist abstraction and feminine subjectivity. Sophisticated and tightly argued, Impressionist Subjects is a substantial contribution to the reassessment and expansion of the modernist fiction canon.

University of Central England in Birmingham - The University of Central England in Birmingham (UCE) is a major university, located in the city of Birmingham, England.

Birmingham School of Art - The Birmingham School of Art was a municipal art school based in Birmingham, England. Although the organisation was absorbed by Birmingham Polytechnic in 1971 and is now part of the University of Central England's Birmingham Institute of Art and Design, its Grade 1 listed building on Margaret Street remains the home of the University's Department of Fine Art and is still commonly referred to by its original title.

Birmingham Institute of Art and Design - The Birmingham Institute of Art and Design (BIAD) is the largest British university art and design teaching and research centre outside London. It is part of the University of Central England in Birmingham (UCE).

Birmingham University Guild of Students - The Birmingham University Guild of Students (BUGS) was the first purpose-built Students' Union building in England when it was built in 1930 at the University of Birmingham, and was a founding member of the National Union of Students.

universityofcentralenglandinbirmingham

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